Martröð is the collaborative project of an international group of musicians united by their shared musical and ideological goals. Featuring Wrest (of Leviathan), D.G. (of Misþyrming), Alex Poole (of Krieg), and others, their pedigree is impressive, but their music ought to stand by itself, and with such an incredible line-up it’s only natural that expectations
It’s always a morbid treat when the Spanish black/death metal masters in Teitanblood release new music. And today marks the release of their new EP ‘Accursed Skin’ on vinyl and digital formats through Norma Evangelium Diaboli.
Some bands take a few releases to mature, hone their technical skills, and refine their sound to a point where they sound confident in their music and carve out a niche for themselves. Other bands, like Setentia, nail it on their first attempt. Their debut full-length album (and, in fact, their very first release of
Bölzer’s debut full-length album ‘Hero’ is finally here. It’s a testament to the quality of their music that they have succeeded in setting the metal underground on fire with less than an hour’s musical material to their name. Because Bölzer has set such a high standard with their music so far, and the media buzz around
Tasmanian metal band Départe’s expansive sound draws on the most powerful elements of black metal, death metal, and even post-metal. While comparisons with bands like Ulcerate and Zhrine are inevitable because of the band’s penchant for dissonant, unsettling guitarwork, Départe carves out their own sound on their debut album ‘Failure, Subside’. Stylistically the focus is much
Ulcerate‘s brand of technical death metal is compelling precisely because it challenges so many of the established tropes that have emerged in the genre over the last decade. This New Zealand group are certainly incredibly gifted musicians, and the technicality and complexity of their music more than proves this. But more than this, Ulcerate understand
Dead Congregation prove that it’s not necessarily about doing something first, it’s about doing it better than anyone else out there. There’s nothing ground-breaking or innovative about their music, but when a new release by them makes its way into the world, you’d better be paying attention.
I’ve never made any secret of the fact that I think Iceland’s metal scene is absolutely fucking stellar. Probably half of my top 10 favourite bands hail from the tiny northern island, Zhrine among them. Formerly known as Gone Postal, they underwent an incredible metamorphosis, bursting onto the scene earlier this year with their debut
Legendary avant-garde death metal band Gorguts are back with another masterpiece. Pleiades’ Dust takes the foundational music elements that worked so well on Gorguts’ previous album (2013’s Colored Sands) and moulds them into a very different form. Inspired by Deathspell Omega’s EP ‘Veritas Diaboli Manet in Aeternum: Chaining the Katechon’, Pleiades’ Dust takes the form
Over the past few years, Iceland’s metal scene has exploded in popularity. This year has seen Svartidauði perform in the United States and support Primordial on a tour across Europe, while Misþyrming performed as an Artist In Residence at the legendary Roadburn festival after just one album to their name. Zhrine seem set to continue